Inside the studio

Colour is our starting point.

We make images through makeup. Editorial precision, sculptural ideas and a curiosity for what colour can do.

Inside the studio

Colour is our starting point.

We make images through makeup. Editorial precision, sculptural ideas and a curiosity for what colour can do.

Inside the studio

Colour is our starting point.

We make images through makeup. Editorial precision, sculptural ideas and a curiosity for what colour can do.

Selective-colour version: Portrait in a golden couture dress with a large sculptural gold and copper headdress
Portrait in a golden couture dress with a large sculptural gold and copper headdress

D’CALOR is a creative makeup studio working where beauty, fashion and art meet. We build a visual language around each brief: the light, the casting, the clothes and the feeling the image should leave behind.

D’CALOR is a creative makeup studio working where beauty, fashion and art meet. We build a visual language around each brief: the light, the casting, the clothes and the feeling the image should leave behind.

Our creative approach

From a feeling to a finished frame.

01

Read the image

A reference can be a film still, a fabric, a face or a single colour. We start by finding the feeling that connects it all, then shape a direction with the creative team.

02

Build the palette

Warm against cool. Gloss beside matte. A sharp line against soft skin. We test the relationships between colours so every detail belongs to the same visual world.

03

Explore the material

Petals, pigment, translucent fabric and sculptural forms can become part of a look. We experiment with texture and scale while keeping the face and the intended image in focus.

04

Work with the light

Makeup changes through the lens. We refine the look with the photographer or director, considering close-ups, movement, shadows and the way a finish catches the studio light.

05

Make it your own

The final look carries the character of the person wearing it and the story being told. From the first test to the last frame, we leave room for something unexpected.

Makeup disciplines

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Makeup disciplines

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Creative steps

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Creative steps

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Capture formats

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Capture formats

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Shared creative vision

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Shared creative vision

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  • Colour

    Texture

    Expression

What guides us

Freedom, with intention.

A clear point of view. Space to experiment. Care in every detail.

Creative curiosity

We stay open to unfamiliar references, surprising colour and ideas that need to be tested before they can be explained.

Creative curiosity

We stay open to unfamiliar references, surprising colour and ideas that need to be tested before they can be explained.

Considered craft

Skin, texture and finish receive the same attention as a bold silhouette. The small decisions make the whole image work.

Considered craft

Skin, texture and finish receive the same attention as a bold silhouette. The small decisions make the whole image work.

A shared direction

We work closely with the creative team, using clear references and honest conversation to shape one coherent visual story.

A shared direction

We work closely with the creative team, using clear references and honest conversation to shape one coherent visual story.

Individual expression

Every face, person and brief brings its own character. Our job is to make that character part of the look.

Individual expression

Every face, person and brief brings its own character. Our job is to make that character part of the look.

Selective-colour version: Pink and lime-green petals cover the eyes above glossy pink lips
Pink and lime-green petals cover the eyes above glossy pink lips

Makeup as a medium.

Pigment, light and material become a way to tell a story. We move between precise beauty work and expressive forms, always considering what the camera will see.

Selective-colour version: Portrait with short silver hair, graphic lime eye makeup and curved metallic headwear
Portrait with short silver hair, graphic lime eye makeup and curved metallic headwear

An image with feeling.

A memorable look invites a second glance. We create space for mystery, movement and character, with each choice supporting the image as a whole.

A colour can change the way an image feels. A texture can change the way you look at a face. That is where we begin.

A colour can change the way an image feels. A texture can change the way you look at a face. That is where we begin.

Mara, D’CALOR makeup artist

D’CALOR

Our studio perspective

Ways of seeing

One practice. Many possibilities.

Makeup shaped by the medium, the moment and the image you want to make.

Selective-colour version: Profile portrait with sculptural ivory and red petals and deep red lips
Profile portrait with sculptural ivory and red petals and deep red lips

Still image

Editorial

Beauty stories shaped by a strong idea, precise makeup and a frame that invites a second look.

Selective-colour version: Portrait with an orange pleated hat, green eyeliner and emerald fabric
Portrait with an orange pleated hat, green eyeliner and emerald fabric

Campaign & runway

Fashion

Looks that respond to clothes, casting and the character of a collection, from first fitting to final frame.

Selective-colour version: Over-the-shoulder portrait with red eye makeup and sculptural red ribbons against a blue backdrop
Over-the-shoulder portrait with red eye makeup and sculptural red ribbons against a blue backdrop

Beauty film

Motion

Textures and colours considered in movement, with finishes that respond beautifully to changing light.

Creative collaboration

An image is a shared idea.

We bring makeup into conversation with light, styling, movement and the people behind the brief.

  • Pigment

    Pigment

  • Silk

    Silk

  • Petals

    Petals

  • Gold

    Gold

  • Glass

    Glass

  • Shadow

    Shadow

  • Gloss

    Gloss

  • Tulle

    Tulle

  • Crystal

    Crystal

  • Light

    Light

We shape makeup around the light, the lens and the crop, refining texture and colour through the camera as the image develops.

Photographers

Light & framing

We shape makeup around the light, the lens and the crop, refining texture and colour through the camera as the image develops.

Photographers

Light & framing

We shape makeup around the light, the lens and the crop, refining texture and colour through the camera as the image develops.

Photographers

Light & framing

Clothes and makeup belong to the same story. We consider fabric, proportion and accessories as part of a shared visual language.

Stylists

Silhouette & material

Clothes and makeup belong to the same story. We consider fabric, proportion and accessories as part of a shared visual language.

Stylists

Silhouette & material

Clothes and makeup belong to the same story. We consider fabric, proportion and accessories as part of a shared visual language.

Stylists

Silhouette & material

From a held close-up to a moving sequence, we plan how a look behaves on camera and what needs to remain consistent between takes.

Directors

Movement & continuity

From a held close-up to a moving sequence, we plan how a look behaves on camera and what needs to remain consistent between takes.

Directors

Movement & continuity

From a held close-up to a moving sequence, we plan how a look behaves on camera and what needs to remain consistent between takes.

Directors

Movement & continuity

We turn a clear creative brief into makeup with a point of view, adapting the direction across campaign images, product stories and film.

Brands

Character & campaign

We turn a clear creative brief into makeup with a point of view, adapting the direction across campaign images, product stories and film.

Brands

Character & campaign

We turn a clear creative brief into makeup with a point of view, adapting the direction across campaign images, product stories and film.

Brands

Character & campaign

The people behind the looks

Different hands. Shared curiosity.

Three creative perspectives on colour, texture and expression.

Selective-colour version: Mara, D’CALOR makeup artist, with short curls and a black tailored jacket
Mara, D’CALOR makeup artist, with short curls and a black tailored jacket

Mara

Editorial & sculptural makeup

Mara explores the space between skin, pigment and sculptural form. Her approach pairs considered skin finishes with expressive details that hold their own in a close-up.

Selective-colour version: Mara, D’CALOR makeup artist, with short curls and a black tailored jacket
Mara, D’CALOR makeup artist, with short curls and a black tailored jacket

Mara

Editorial & sculptural makeup

Mara explores the space between skin, pigment and sculptural form. Her approach pairs considered skin finishes with expressive details that hold their own in a close-up.

Selective-colour version: Elio, D’CALOR colour artist, seated in a black shirt with wavy shoulder-length hair
Elio, D’CALOR colour artist, seated in a black shirt with wavy shoulder-length hair

Elio

Colour & fashion direction

Elio works through unexpected colour relationships and graphic placement. His looks respond to the clothes, the casting and the visual rhythm of a fashion story.

Selective-colour version: Elio, D’CALOR colour artist, seated in a black shirt with wavy shoulder-length hair
Elio, D’CALOR colour artist, seated in a black shirt with wavy shoulder-length hair

Elio

Colour & fashion direction

Elio works through unexpected colour relationships and graphic placement. His looks respond to the clothes, the casting and the visual rhythm of a fashion story.

Selective-colour version: Inès, D’CALOR makeup artist, with a dark bob, straight fringe and an asymmetrical black jacket
Inès, D’CALOR makeup artist, with a dark bob, straight fringe and an asymmetrical black jacket

Inès

Beauty & moving image

Inès follows the way makeup changes with movement and light. She develops precise details and nuanced textures for beauty stories, campaigns and film.

Selective-colour version: Inès, D’CALOR makeup artist, with a dark bob, straight fringe and an asymmetrical black jacket
Inès, D’CALOR makeup artist, with a dark bob, straight fringe and an asymmetrical black jacket

Inès

Beauty & moving image

Inès follows the way makeup changes with movement and light. She develops precise details and nuanced textures for beauty stories, campaigns and film.

Different perspectives. A shared eye for detail.

The people behind the looks

Different hands. Shared curiosity.

Three creative perspectives on colour, texture and expression.

Selective-colour version: Mara, D’CALOR makeup artist, with short curls and a black tailored jacket
Mara, D’CALOR makeup artist, with short curls and a black tailored jacket

Mara

Editorial & sculptural makeup

Mara explores the space between skin, pigment and sculptural form. Her approach pairs considered skin finishes with expressive details that hold their own in a close-up.

Selective-colour version: Elio, D’CALOR colour artist, seated in a black shirt with wavy shoulder-length hair
Elio, D’CALOR colour artist, seated in a black shirt with wavy shoulder-length hair

Elio

Colour & fashion direction

Elio works through unexpected colour relationships and graphic placement. His looks respond to the clothes, the casting and the visual rhythm of a fashion story.

Selective-colour version: Inès, D’CALOR makeup artist, with a dark bob, straight fringe and an asymmetrical black jacket
Inès, D’CALOR makeup artist, with a dark bob, straight fringe and an asymmetrical black jacket

Inès

Beauty & moving image

Inès follows the way makeup changes with movement and light. She develops precise details and nuanced textures for beauty stories, campaigns and film.

Different perspectives. A shared eye for detail.

Let’s make something unforgettable.

Tell us about the image you want to create. Share your direction, timing and production details, and we’ll shape the makeup around them.

Selective-colour version: Close-up of a woman with a playful tongue-bite expression and copper, gold and teal makeup, while two brushes apply makeup against a dark background.
Close-up of a woman with a playful tongue-bite expression and copper, gold and teal makeup, while two brushes apply makeup against a dark background.
D’CALOR

Let’s make something unforgettable.

Tell us about the image you want to create. Share your direction, timing and production details, and we’ll shape the makeup around them.

Selective-colour version: Close-up of a woman with a playful tongue-bite expression and copper, gold and teal makeup, while two brushes apply makeup against a dark background.
Close-up of a woman with a playful tongue-bite expression and copper, gold and teal makeup, while two brushes apply makeup against a dark background.
D’CALOR

Let’s make something unforgettable.

Tell us about the image you want to create. Share your direction, timing and production details, and we’ll shape the makeup around them.

Selective-colour version: Close-up of a woman with a playful tongue-bite expression and copper, gold and teal makeup, while two brushes apply makeup against a dark background.
Close-up of a woman with a playful tongue-bite expression and copper, gold and teal makeup, while two brushes apply makeup against a dark background.
D’CALOR

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